Tag: reflection

  • Rethinking the Seasons

    Rethinking the Seasons

    Rather than do a typical haiku commentary post, this week, I wanted to reflect on the ways in which my commitment to haiku practice over the past few months has impacted my perception of the seasons as I experience them. It’s been seven months since I launched this project, and while my haiku practice and saijiki study go beyond the scope of food, the framework of this blog and podcast is where I come to work out my ongoing understanding of kigo.

    I’ve written elsewhere on the blog (my intro post is just one example) about how my direct experience of the seasons doesn’t always line up with what the Gregorian calendar says. This was in part influenced by geography (Cleveland has long winters, Austin has even longer summers), but also a sense that dividing the seasons according to equinoxes and solstices didn’t truly account for the way the climate felt.

    One of the reasons I was intrigued by the haiku (lunar) calendar was because the seasons all began roughly six weeks earlier than I was accustomed to; the equinoxes and solstices were in the middle of the seasons, rather than the initiation point for each season. As I’ve delved into this seasonal exploration, I stumbled across Naturalist Weekly, a blog which, among other things, talks about the 72 micro-seasons. While I think micro-seasons vary from climate to climate, I think they are a fascinating framework for how to study and experience one’s own surroundings, and I’m brainstorming with ways to work with micro-seasons in 2023.

    This year’s study of saijiki and kigo has shown me a great deal of how I experience the seasons. The biggest takeaway for me is that the way I perceive the changes in time relates to fluctuations in daylight. On some level, I’ve known this for a while. My last few years in Cleveland, I struggled a great deal with seasonal depression. Living in Austin, I didn’t struggle quite as much because it wasn’t as cold, but I also noticed I felt demoralized by the lack of daylight. Both ends of daylight savings time make me feel jetlagged, and when it ends in the fall, that abrupt plunge into early darkness is really rough on me.

    The author in front of a waterfall in Ohio.
    Slightly under-dressed for a Thanksgiving visit to Cuyahoga Valley National Park.

    In December 2019, I also observed that while the Gregorian late autumn (ranging from mid-October to the winter solstice) is particularly tough for me, I start thriving again fairly early in January. While many people I know struggle through the cold, snowy first quarter of the year, my mood and motivation are consistently on the upswing. Maybe it’s because I love what New Year’s symbolizes (even though my celebrations are a lot more toned down than they used to be), and that gives me a mental boost. But I think there’s something more, and it’s that even though the days are still short and the nights are still long, it’s already getting brighter. And my body is well-aware of the gradually increasing days.

    In the haiku calendar, winter starts more or less on November 5th. The lunar New Year generally takes place in early February, with actual celebration periods varying based on the specific traditions of Asian countries. The New Year period gives way to spring during a time that is still solidly winter based on the Gregorian calendar.

    The author standing on a mountain in Mexico
    A January day in Real de Catorce, Mexico. Even 9,000 feet up, it was fairly warm in the daylight.

    As I wrote back in that initial blog post, I was flummoxed by how spring could start in February, when everything is still snowy and dormant. Yet the first blossoms of the calendar year aren’t that far off. But what I think is more significant is that the days are getting incrementally longer.

    Based on the haiku calendar, the December solstice is the middle of winter, and is the official turning point, sending us down the path to spring. So while a few months ago, I was flummoxed by February being considered a spring month, when I think about the increase in available daylight, it makes total sense.

    Even if it’s a struggle for me to classify November as winter instead of autumn, ultimately, the seasonal label doesn’t matter as much. What’s important to me is the insight of how the changes in daylight affect my body, mind, and spirit. And I don’t know if I would have come to that conclusion if I hadn’t embarked on this process in my poetry.

    (But . . . can we do away with DST already? Or keep it. I don’t care. Let’s just pick one and stop switching the clocks twice a year, okay?)

  • Goodbye, 2015

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    Out at Fort McKavett in October

    Greetings from rural Illinois! I’m out here enjoying winter break, organizing poetry files, and writing haibun. Next week, I’ll be back to the warm weather, kicking off 2016 with a road trip through Mexico.

    I’ve been too busy to blog this semester. I’ve even neglected my poor email newsletter. But I thought I’d pop in for a little year in review.

    2015 wasn’t without difficulty, but it was much better than 2014. I’ve had numerous friends tell me your 30s are your best decade, and this year, that’s proved to be true.

    This year, I successfully co-edited the 2016 Texas Poetry Calendar with Wade Martin, and helped host readings for the calendar around Texas. (I also had my license plate stolen at the reading in Houston, which was not fun.) I’m grateful I had the opportunity to be a part of Dos Gatos press and help continue the tradition of this great publication. Wade and I are already reading for 2017 (the deadline is January 15th!) so send along your poems!

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    At the Blue Willow Bookshop reading for TPC

    I also got to be a featured reader at the Austin International Poetry Festival, and met Nikki Giovanni on my birthday! 31 goes down in the record books as the best birthday ever.

    I was fortunate enough to get more teaching work at ACC, allowing me to make education the focus of my career.

    I got to attend a friend’s book launch in Chicago. I finished a new chapbook manuscript. I got to teach more poetry workshops.

    Last but not least, I began an MFA program this fall. The first semester is over and done, and I’m so happy to be there. I’m looking forward to school starting again soon!

    May the last day of 2015 be a happy one. Here’s to 2016!

  • A New Dawn, A New Day

    It’s been an amazing summer. I can’t believe how busy I’ve been, or how fast it went. I started a haiku study group on Facebook. I learned how to make corn tortillas from scratch, and how to deep-fry avocados. I published a very angry and very NSFW poem at Thank You For Swallowing. I featured at poetry open mics in both San Antonio and Waco. I hosted a party for the first time since I was married. I started working on a new chapbook almost by accident. I started learning the Wudang staff form. I joined the Adult Education department at ACC. I quit my office job. I amassed over 30 hours of professional development credit. I got to see the Mountain Goats at the Moody Theater. I joined a wine club. I spent a lot of time poolside with a margarita and at least one of my best friends.

    I’ve been very busy, and also very happy.

    This morning begins a whole new chapter to my poetry and my career. The fall semester begins tomorrow, and I’m teaching five classes in two different departments. Yes, five classes is a lot, and I didn’t quite plan for this many. It happened largely by accident, due to staffing vacancies, and quite a bit of it ended up getting solidified at the last minute. But even though it’s going to be a lot of work, I’m thrilled. Making your living as an adjunct is tough, and it’s nice to know that this semester, I’m going to be doing well financially. Plus, while I’ve taken on a big workload, I’m finally at the point where teaching is all I do for a living. I’m not making end’s meet with an office job or other work. I get to be a writing teacher, pure and simple. It’s taken a lot of work to get here, and I’m grateful that the effort has finally paid off.

    Fall textbooks!

    This morning, I also begin my MFA through the University of Texas at El Paso. I’m grateful that technology has evolved to the point where it’s viable for me to study with the amazing faculty at UTEP and still live in Austin. I’m taking two classes this semester: Advanced Poetry Workshop and Writing and Social Action. I’m definitely nervous about returning to the graduate classroom after being away for so long. But I can’t wait. I’m so excited to see how this experience shapes my career.

    Summer is my favorite season (yes, even in Texas), but I think I’m going to have a great autumn.

  • Fun With Search Terms

    Every now and then, I like to go check out the search terms that people use to find this blog. This morning, I decided to go look at what people had searched for over the past year. I’ve posted my favorites below. Some were funny. Some were odd. Some were sweet. Some made me think. My favorite, though, was the search for “what is the name of one feminist poet.” I am glad Google pointed that person to the right place.

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  • Why I Love “A Christmas Story”

    Merry Christmas to all!

    I should be hastily packing for my trip to Ohio. Or eating breakfast. Or finishing up the last vestiges of work I need to do before I can declare myself on vacation. But instead, I find myself with a need to pay tribute to A Christmas Story.

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    Last night, one of my friends posted that he’d seen the film for the very first time, and hated it. Why? Because the parents didn’t talk to each other about their conflict surrounding the lamp. The kids did stupid things and made poor decisions. The bullies hurt people for fun. The staff at the Chinese restaurant acted like racist caricatures. He couldn’t quite fathom why people love this film so much.

    I ended up writing a long comment defending the film. And then decided to turn it into a blog post. Much of what is here is from my original comment, with a few changes.

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    Many children do act idiotic. I don’t mean that in a nasty way. I mean they are still growing and developing and lack the cognitive skills to act like fully intelligent beings. Bill Cosby has a whole bit about how all children have brain damage. And kids giving each other stupid dares is pretty par for the course. Again, children have a different sense of safety, rationality, and fun than adults do. They’re not mini-adults.

    Bullies do hurt other people for fun, sometimes. And when I watch Scott Farkas on screen as an adult, I think about how now, I see him as hardly intimidating at all. But you can see why Ralphie is scared. And I am reminded of how when I was a child, bullies were, in fact, terrifying. Because I was a child, and didn’t see things the way adults did.

    The husband and wife have issues with communication, sure. But this was set in the 1950s, filmed in the 1980s, and in 2014? Couples still have communication problems. Sadly enough, that kind of dysfunction is encouraged. I can’t go a week without seeing a magazine headline in a women’s magazine encouraging passive-aggressive manipulation rather than open communication.

    People love this film because it rings true. It’s funny, but it stings, because it contains realities of experience for so many.

    Because it’s about a time in childhood when you’re starting to really learn that things can be tough and that life isn’t always fair. There are moments of sentimentality, to be sure, but it’s also unsentimental in that it shows that childhood can at time be upsetting, frustrating, and even scary.

    Because it’s a film about people who are terribly flawed still loving each other and doing the best they can. Ralphie’s dad is a curmudgeon, but still wants his kids to be happy. The parents have communication issues, but still do love each other. People all over the world have flaws small and large, but still care for family and friends in spite of those foibles. And they recognize their equally-flawed loved ones are doing the best they can, as well.

    And if you are not religious, that’s a pretty good lesson to keep in mind on Christmas Day. That we make lots of mistakes and generally muddle through, but still love each other and try to do right by our loved ones.

    As for the racist caricatures? I blame Hollywood for letting that one through.

  • What I loved in 2012

    While I’ve blogged my reading lists pretty extensively, I haven’t listed all of the things I’ve loved this year. So here’s a rundown of great music, websites, and tech stuff I discovered. Note that not all of it was brand new this year, but it was new to me.

    Television

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    Buffy the Vampire Slayer, seasons 2-5 and season 7

    Jon and I watched through all of Buffy this year; neither of us had seen it. Well, I watched through almost all of Buffy. Jon started it first, but knew I was going to absolutely hate season 1. I joined partway through season 2 and thoroughly enjoyed myself. Though I nearly quit during the television tragedy that was season 6, I’m glad I stuck through until the end.

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    Angel

    I liked this right off the bat, even more than I did Buffy. While the final season definitley had its hiccups, the final episode made me cry, and it’s rare for television to do that.

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    Mad Men

    This season was intense. I don’t want to say too much, for fear of giving spoilers away. But wow, what a well-crafted season. This had some of my favorite episodes of the series, including one that made me cry (apparently, television made me tear up this year). While the season finale was a little lackluster compared to other finales on this show, I can’t wait for next season.

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    Breaking Bad

    Best.show.on.television. Ever. Brilliant structure and pacing, not just at the episode level, not just at the season level, but across the entire series. I’m glad the world didn’t end on December 21st, because I would have been bummed if the apocalypse had happened and I didn’t get to see how the series wrapped up.

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    Better Off Ted

    Jon and I just discovered this show on Netflix. It clearly didn’t do that well on broadcast, but we think it’s hilarious.

    Film

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    The Master (2012)

    I live under a rock. I didn’t know this film was coming out. But one day, I had the afternoon off from work and nothing to do. I had some free passes to a movie theater. The Master was starting in 20 minutes, and I figured anything with Joaquin Phoenix and Philip Seymour Hoffman had to be good. But that’s all I knew — the leading actors and the starting time. I went into this film completely unprepared. I left feeling unsettled, but in a good way. Definitely a film worth seeing.

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    Cabin in the Woods (2011)

    I still get giddy when I think about this film. I love horror movies. I love meta anything. This was the best of both worlds.

    Websites

    First Book Interviews

    Keith Montesano talks to poets about their experience writing, revising, submitting, and publishing their first collections. I learn something new with every one.

    Dog Shaming

    It’s nice to know I’m not the only one whose dogs do crazy things.

    Music

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    Transcendental Youth by the Mountain Goats (2012).

    Transcendental Youth is full of songs about people who madly, stupidly, blessedly won’t stop surviving, no matter who gives up on them.

    I can report that it is a very good album and has many more instruments on it than his early cassette tapes, including Peter Hughes on bass, Jon Wurster on drums, and, for the first time, a full horn section. And all of this makes a very joyous noise. (John Hodgman)

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    I and Love and You by The Avett Brothers (2009). 

    Jon discovered this during his music-discovery project, and knew I would love it. He knows my taste well. The themes in this album are the ones I often cover in my poems: travel, searching, and love. This is a truly ambitious piece of work.

    Tech

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    CamScanner app (available for Android and iPhone). 

    I rarely pay for apps at full price; I usually wait until Google Play has a sale. But I shelled out $5 for the full version of CamScanner, and four months later, I’ve already gotten my money’s worth. Cheaper than a scanner, way more cost-effective than sending a fax from a public machine, and it works great. Highly recommended.

  • Words Matter

    Last night, the above joke appeared on my Google+ stream. At one point, a woman made a comment about how the “how can u” people didn’t do “any meaningful work.” Since I had insomnia anyway, I pointed out the classist assumptions in her statement. Education (both grammatical and sexual) and employment  are both associated with poverty level. To automatically assume that the “how can u” group doesn’t do any “meaningful” work is highly problematic. Working two part-time service jobs to make ends meet is certainly not what many people would call “meaningful,” but it doesn’t give us the right to call lower-class people lazy and make fun of them.

    This woman and I tussled for a bit, and ultimately, she gave me the “it was just a joke” line. She told me that this joke, and discussions of poverty and education, were two different issues.

    Words matter. I know this. Words matter because they are the building blocks of human communication. They are how we transmit ideas. The are how we teach. When we think, we think in the language we know. Words are one tool we have for developing our worldviews. It’s almost scary how much power they have.

    Words always have meaning. It doesn’t matter if you’re making a joke. It doesn’t matter if you’re being serious. Words still always mean things, and those meanings cannot always be erased in context.

    But words also are not always overt. In the picture at the top of the page, the punchline is that “Grammar Matters.” Now, I love good grammar. I love good punctuation so much that I have a tattoo of a semicolon on my wrist. I do believe that grammar matters.

    However, this image isn’t just saying that grammar is important. The words don’t just literally mean that. They are also implying that if you don’t have good grammar, you’re the kind of person who gets STDs and doesn’t do anything meaningful to improve the world.

    As I mentioned above, poverty can have a huge impact on education and employment. I signed a bunch of confidentiality agreements at my day job, but I can tell you that I spend 40 hours a week seeing the disparity of education levels between wealthy and poor communities. There is a huge gap between Dallas and Brownsville. Houston is so big and diverse that there are huge gaps within the city itself. Depending on where you are in Texas (in the USA, in the world), you may or may not be learning to write. You may or may not be learning about safe sex. You may or may not be learning basic concepts in math and science. You may or may not even finish high school.

    The image above makes fun of the huge disadvantages that economically disadvantaged people face on a daily basis. On the surface, the words are saying, “Ha ha, let’s make fun of all the stupid people who don’t know how herpes is transmitted.” (Let’s not even touch on the fact that you can come from an economically wealthy community and be taught, in public school, that abstinence and religion is the only option you have available and doesn’t actually educate you.) But what it implies is that if you have not had the advantages of a good education, if you are poor and struggling to make end’s meet, if you don’t have energy after working 60 hours a week to fight global warming, or any spare money to invest in stocks, then you are less of a person. It implies that if you haven’t had the advantages of a middle- or upper-class person, you don’t measure up.

    I don’t see this image and discussions of poverty and education as separate issues. The reason this image exists is because these disparities exist, and somebody thought it was funny to mock them. This is funny because there is class inequality in this country, and some people like to try capitalizing on that for their own amusement.

    This image is not “just a joke.” It is a reflection of the way we view and judge the undereducated in the United States. And I, for one, am uncomfortable with laughing at those who haven’t had all the privileges I had growing up.

    I believe that language has the power to change the world. One of the ways it can do that if if we stop using it as a tool to mock others who are undeserving of our scorn. Thing before you speak. And when you do, don’t just think about what your words say on the surface. Think about what they suggest. Think about what they imply. Think about what you might be really saying.

  • Like the rest of the writing world, I say farewell

    My first encounter with Ray Bradbury was Farenheit 451. It was part of my ninth grade English curriculum. At the time, I fell in love with Bradbury’s writing style, but I came away with a fairly superficial understanding of the text (it wasn’t until my twenties, when I began to contemplate just how many hours I spent in front of a screen each day, that the novel became much more than an anti-censorship story). However, I was hooked enough to read more.

    The summer between ninth and tenth grades, I read The Martian Chronicles and Dandelion Wine. I adored both, but it was Dandelion Wine that made me want to be a writer. In fact, the second I finished it, I put down the book, opened my journal, and wrote several pages about my future career. (Of course, it hasn’t gone the way I envisioned it when I was fifteen; for example, I didn’t see myself as more focused on poetry than on fiction. But I’m not complaining.)

    Part of me wishes I still had that old notebook, so I could go back and read the words I wrote on the day I realized my true commitment to writing. However, when I moved to Austin in 2008, I threw out all of my old notebooks, with the exception of two that I kept because the books themselves were too pretty to go in the trash. At the time, I wasn’t writing much, but I planned to start again after the move. I’d decided that everything I’d written between ages twelve and twenty-four was no longer serving me. I couldn’t rely on my juvenilia and old ideas. Plus, dragging all of those notebooks across state lines, and from apartment to apartment, was literally going to weigh me down. It was time to be rid of everything. So I got rid of the notebooks and emptied the hard drive, and started fresh. (And I might do it again in my thirties.)

    The purge of my old writing was in part inspired by Dandelion Wine. Back when I was fifteen, I was haunted by the character of Mrs. Bentley, an elderly woman whose house is packed full of souvenirs of her youth: record albums, theatre programs, hair combs, photographs. The neighborhood children, however, refuse to believe that she was once young, or that she was ever “Helen” rather than “Mrs. Bentley.” I know the denial of Mrs. Bentley’s identity is the true heartbreak of that chapter. But for me, the horror was found in the image of an old woman weighed down by her past. That image constantly comes back to me. So when it came time to move, I took a cue from Mrs. Bentley and got rid of my work, let go of what was no longer serving me. So I don’t have that old entry to look back on, but I do remember writing it. And the fact that I don’t have it is because of the mark Bradbury left on my life.

    But back to Farenheit 451. A few weeks ago, on a hike, my friend asked me what I would do at the onset of the apocalypse. Rather than suggest something practical (I am probably doomed at the end of the world), I said I’d immediately decide which five books I’d take with me. (Books are heavy. I would only allow five. Except poetry volumes are slim, so perhaps I could double up on a few of those and it wouldn’t be too heavy.) But the next day, I remembered the closing of  Fahrenheit, where it is revealed that people have been charged with committing books to memory, as that is the only way to preserve them. Which made me wonder: in the event of the apocalypse, which book would I commit to memory?

    It’s a hard choice, and ironically, I don’t have a Bradbury book as one of the finalists — but I imagine that in the apocalypse, there will be no shortage of volunteers who want to take on his work. Meanwhile, I linger undecided between four books: Orlando by Virginia Woolf, Their Eyes Were Watching God by Zora Neale Hurston, Sula by Toni Morrison, and Montgomery’s Children by Richard Perry. These are four books that I constantly recommend to people, all the time, no matter who they are. Orlando is delightfully feminist, modernist, and speculative. Their Eyes Were Watching God is — well, I can’t explain why I love it without spoiling at the end. Sula is my favorite of Morrison’s novels, and is a beautiful discussion on the complexities of friendship. Montgomery’s Children is a beautiful meditation on race and memory, and to top it off, it’s out of print (though I suppose everything will be out of print in the apocalypse).

    By nature, I’m indecisive. So I think that, in the event of the apocalypse, I will have to make room in my mind for all four. And that’s all there really is to it.

    So thank you, Mr. Bradbury, for helping me let go of the past before I became old. And thank you for making me love books so much that I have tasked myself with the difficulty of being the steward of four of them in the event that the world collapses.

  • Why I go on writing

    Last week, I came upon Becky Tuch’s “On Quitting Writing,” which is actually a series of statements by authors and editors about why they don’t quit writing, or why they came back after a long hiatus. Which, of course, got me thinking about what keeps me going, especially because my focus is on poetry, and there isn’t even lousy pay in that — there’s no pay (okay, there’s a little pay once in a while, but not really). I don’t have the hope of an increasingly-elusive six-figure advance to keep me going when times get tough.

    So what is it that drives me when I’ve gotten way too many rejection letters in a given week? Or when a journal sends me two rejection letters because for some reason their system didn’t think the first rejection went through? What brought me back to poetry when I hadn’t given it any substantial attention in roughly six years?

    All I know is that when I was twelve, during spring break in sixth grade, I decided that I was going to write poetry. I had never written a poem before (outside of creative writing exercises in school). But I was going to learn.

    All I know is that during the six years I wasn’t writing poetry, I was still compelled to try every once in a while.

    All I know is that now, if I go a day without writing even the roughest draft of a poem, I feel twitchy and restless, and as though the entire day has been a waste.

    All I know is that I love words. I think I love words more than I love avocados and semicolons. And if you know me, you know that’s a pretty big deal.

    All I know is that, at the end of the day, even if no editor takes a particular poem, at least I can say I’ve created something I love.

    That’s all writing is about, really. Making something you believe in. Something that gives you meaning. I want people to read and enjoy my poems, but really, all I need is a space to play with words and make something outside the constraints of my day job. Outside the constraints of what other people want from me.

     

  • My Most Beautiful Thing

    Today, I’m taking part in the My Most Beautiful Thing Blogsplash, to promote Fiona Robyn‘s newest novel, The Most Beautiful Thing. I’ve been motivated and inspired by Fiona and Kaspa’s work after I discovered a handful of stones last fall, so I’m happy to join in this celebration of Fiona’s work.

    To see what other Blogsplashers are writing about, click here for the full list of participants. 

    And as a bonus, Fiona is offering up her novel for free download today and tomorrow. What more incentive do you need to get a copy?

    So, without further ado, here is my most beautiful thing. 

    Last year, my poem “Traversing Houston by Bus” was accepted for the 2012 Texas Poetry Calendar. A few weeks after that, I was talking with Cindy Huyser, one of the Calendar co-editors. She said she liked the poem because it wasn’t “Oh Texas, my Texas.” There was love, but also ambivalence.

    I worked on that poem for about three months, and the ambivalence in the poem ended up surprising me. Because, while I frequently say that I don’t like Houston, that was the city where I first felt completely at home in Texas. I’d been in love with Austin before I first even moved here in 2008, but it took about two years before the rest of Texas grew on me.

    My dance partner and I were on a party bus in Houston with a group of people from D’Amico Dance, traveling around Houston and doing a west coast swing flash mob in various parts of the city. It was somewhere on the freeway that I felt one of the most profoundly joyful moments of my life. My best friend and I were on this bus with near-strangers, laughing, dancing, and having a great time. That was the moment when Texas–not just Austin–became home, became my most beautiful thing.

    It’s not just Austin and Houston, either. It’s the wineries on 290 leading out to Fredericksburg. It’s Enchanted Rock. It’s the cute bookshops in San Antonio. It’s Marfa, Alpine, Terlingua, Big Bend, Valentine, Marathon, and the rest of West Texas. Since that day on the bus in Houston, I’ve become more invested in Texas. And while I haven’t seen even half of it, I love it more and more each day. Austin will always be my home base, but Texas as a whole inspires me every day.

    There are times when I get homesick for Ohio. There are times I ponder moving to Manhattan, Philadelphia, Vancouver, Buenos Aires, Sydney, or any of the other hundreds of cities in the world I might love. But I can’t ever really imagine leaving. Not for very long. And even if I was gone on an extended trip, say 6 months to a year, I would want to know I’d be coming back.

    Yes, there are times I’m ambivalent about Texas. It shows up in almost every Texas poem I write. Sometimes, the heat gets too much, even for me (and the warmer, the better for me). And there’s much to dislike about Texas politics. Or the traffic in all of the major cities. Or the fact that even Austin isn’t all that pedestrian- and bicycle-friendly.

    But ambivalence does not mean a lack of love. Texas isn’t perfect, but it’s home. I and while I don’t believe in the concept of each writer having a Muse, the state as a whole comes pretty darn close. To me, there’s nothing more beautiful than this.