Tag: poetry

  • I Am Bad Whether…

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    I Am Bad Whether is an up-and-coming feminist press founded by poet, activist, and tech guru Muerta-Paz Con Corazon Sin-Guerra. A few months ago, Muerta decided that my collection Curved Tongue, Forked Road would be the first book she published. After several more rounds of manuscript revision, we’re getting ready to launch!

    Of course, as a start-up, the press needs help to get going. We’ve launched an Indiegogo campaign to help get things up and running. I’m excited about the perks we have to offer, everything from postcards to books to workshops! So if you want to support feminist publishing in Texas, check out the campaign.

    I’m also offering a bonus incentive for readers of this blog. If you contribute, let me know (via comment here or via email), and I will send you a bonus postcard featuring recent work. This applies to donations at any level.

    For those of you who want to help but don’t have spare cash, we appreciate you getting the word out on our behalf! Share on social media, talk it up at events, and get people interested.

    Muerta and I appreciate your support!

  • A Year in Readings

    Being bawdy at Austin Writers Roulette in February 2015
    Being bawdy at Austin Writers Roulette in February 2015

    At last year’s Poetry at Round Top festival, which was also the weekend of my 30th birthday, I gave myself a challenge: to do at least one reading a month before I turned 31. I was going to read in public at least once a month, either at an open mic or as a feature. It didn’t matter if it was one poem or several. I was just going to get up and get out there. That meant 12 performances of one kind or another in my 30th year.

    At the Georgetown Poetry Festival
    At the Georgetown Poetry Festival

    As it turns out, doing one reading every single month was quite challenging, and some months I didn’t read at all… But I not only met my goal, I surpassed it! In November, for example, I was too busy training for my black belt test to schedule anything. And while there are poetry readings and open mics just about every week in Austin, some months, I couldn’t get anything that meshed with my work schedule. But there were other months full of abundance. December was particularly active; I read four times!

    I ended up reading 16 times. 13 of those times were in Austin, one was in Georgetown, one was in Fort Worth, and one in Waco. This year my schedule was just too heavy for me to get to San Antonio or Houston again. I can’t believe I haven’t read in either of those cities in over a year!

    Now that this challenge has been met, I plan to keep it up. Reading 12 times in a year was tough at times, but overall doable. Now I’m just trying to figure out what the literary challenge will be for Year 31!

  • Review: The Robot Scientist’s Daughter by Jeannine Hall Gailey

    Book Cover Photo

    The places we love most in life can harm us as well as sustain us. Childhood can be idyllic and beautiful, but even the most bucolic towns can have lurking dangers. Jeannine Hall Gailey’s The Robot Scientist’s Daughter is a collection that is part science-fiction fairy tale and part revelation. Drawing on her childhood in Oak Ridge, Tennesse (also known as The Atomic City), Gailey sheds light on a piece of American scientific history that you might have not learned about in school. Gailey was the daughter of a researcher at the Oak Ridge nuclear site. The town, as it turns out, was toxic, tainted by nuclear waste. The Robot Scientist’s Daughter brings us a beautiful, magical place with a horror story lying beneath. It will break your heart, and it will make you think.

    While The Robot Scientist’s Daughter is a fairy tale composed in poetry, the book I thought of most while I was reading it was Ray Bradbury’s Dandelion Wine. Bradbury didn’t just write compelling science fiction. He also composed fantastical stories that touched on the ways in which childhood is magical and beautiful, but also dangerous, fraught, and terrifying. Gailey’s poems reflect a love for Oak Ridge, but also an acknowledgement of the dangers and horrors that came from living in a town that had basically been poisoned by the nuclear research site there. There is fantastic beauty in the janitor’s overgrown tomatoes and flower; there is also terror when you realize the flora is overgrown due to radiation, and that the janitor is slowly dying of radiation poisoning.

    One of the difficulties of politically-motivated poetry is how to get the point across without being polemical. Gailey does that masterfully in this collection. She doesn’t have to yell at us about the ways in which nuclear waste is harmful, about the fact that nuclear power is dangerous.  We see it in the sick children, the dying researchers, the land perhaps irreparably corrupted. While it seems that energy debates have been going on my entire life, and while I have heard many people extol the virtues of nuclear power, The Robot Scientist’s Daughter is a collection that made me think. It compelled me to research and learn. At its best, political poetry forces you to consider what you have known, learn, and change.

    It is hard to pick a favorite poem from this book. So many of them left me stunned, shocked, or on the verge of tears. “Cesium Burns Blue” is, I think, one of the definitive poems in this book:

    Cesium Burns Blue

    Copper burns green. Sodium yellow,
    strontium red. Watch the flaming lights
    that blaze across your skies, America—
    there are burning satellites
    even now being swallowed by your horizon,
    the detritus of space programs long defunct,
    the hollowed masterpieces of dead scientists.
    Someone is lying on a grassy hill,
    counting shooting stars,
    wondering what happens
    when they hit the ground.

    In my back yard in Oak Ridge,
    they lit cesium
    to measure the glow.
    Hold it in your hand:
    foxfire, wormwood, glow worm.
    Cesium lights the rain,
    is absorbed in the skin,
    unstable, unstable,
    dancing away, ticking away
    in bones, fingernails, brain.
    Sick burns through, burns blue.

    This poem is the cell from which the rest of the book grows. I am struck by how much it contains, and how easily the other poems seem to shape themselves around it.

    The Robot Scientist’s Daughter will officially be released on March 1st. You can preorder it at Mayapple Press. (Which you should definitely do. Not just because it’s an amazing collection, but because if you order now you can get it at a fantastic sale price.)

  • Find Me in February

    February is already shaping up to be a busy month! If you want to come hear me read, I’ll be at the following venues:

    February 7th: Expressions
    Baha’i Faith Center
    Theme: For the Love Of!
    Note: None of the poets at this event will be reading original work. We will be reading the work of deceased poets, and celebrating their lives
    Doors at 6:00 p.m., reading starts at 7:00
    Admission Free, but please contribute to the potluck or bring canned good donations for Poets Pantry

    February 8th: Austin Writers Roulette
    Stompin’ Grounds
    Theme: Bad Date Night
    This is one of the rare instances where I’ll be reading nonfiction rather than poetry.
    4:00 p.m.
    Admission Free, but $5 donations encouraged to help us pay rent for the venue.

    February 13th: V-Day Erotica Reading
    BookWoman
    I’ll be hosting this event, and featuring Jasmaine Cash, Faylita Hicks, Denise Hudson, and Cindy Huyser.
    Free

  • Poetry Formatting Tutorial for Online Submissions

    Submissions for the 2016 Texas Poetry Calendar are already flying in, and each time I check out a fresh batch of poems, I feel honored to be trusted with this project.

    Dos Gatos Press went to online-only submissions a few years ago. For the Poetry Calendar (and for most publications I’ve encountered), your poems must be submitted in one cohesive document, with a different poem on each page. Every submission cycle, there are poets who have questions about how to put everything into one document.

    To help those poets out, I shot a brief tutorial. I use Word 2013, but this technique has worked in every word processor I’ve used, including OpenOffice. Check it out below, and feel free to share!

  • Save the Date for Feminist Poetry in 2015

    I’m ready to take the Austin Feminist Poetry Festival in a bigger direction. Which means writing a set of bylaws and getting a board together so that I can form a nonprofit corporation, and ultimately get 501(c)3 status. I’ll also be working on upping fundraising efforts and possibly doing one or two fundraisers this year to help get things going.

    I’ve also set the dates for next year: September 25th and 26th, 2015. (Here’s hoping I’ll have finally managed to not conflict with any other poetry events in Austin!) I hope to see you out there!

    In the meantime, check out one of the highlights from this past festival: Kelsey Erin Shipman and Funk Riot performing “Seven Ways I Love You.”

  • Haiku of Leaves [IndieInk Challenge]

    For the IndieInk Writing Challenge this week, SAM challenged me with “Rewrite your favorite story.” and I challenged Kirsten Doyle with “Take the opening line from the book you’re reading. Use that somewhere in the middle of your piece.”

    ***

    The house is hungry.
    Johnny has gone exploring.
    The minotaur waits.

    ***

    For more info on the piece, click below the fold.

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  • There Are Monkeys Everywhere [IndieInk Writing Challenge]

    For the IndieInk Writing Challenge this week, Sherree challenged me with “There were monkeys everywhere, and that wasn’t a good thing.” and I challenged SAM with “Write a piece in which a can of soda is of significant importance.”

    There Are Monkeys Everywhere

    The monkeys still jump on the bed,
    and the sight fills me with dread.
    When a monkey bumps its head
    another comes to take its stead.

    They’ve been jumping years, it seems.
    This must be the stuff of dreams:
    The flying fur, the high-pitched screams.
    The bed is full; the mattress teems

    with tails, and teeth, and screeching sounds.
    A massive presence which confounds,
    for when a monkey hits the ground,
    there is one more to be found.

    I have tried to get them out.
    At first I’d raise my voice and shout.
    But it seems I have no clout;
    they’d ignore me, dance about.

    Then I tried to call the zoo.
    Surely they’d know what to do.
    But, alas, that was not true.
    The monkeys made fools of them, too.

    Now I stand and watch them dance,
    watch them turn, watch them prance.
    I try to oust with pleading glance,
    but I don’t seem to have a chance.

    Despite my tricks, they don’t disperse.
    The problem seems to just grow worse.
    I wonder where I got this curse
    which I now describe in verse.

    The monkeys still jump on the bed,
    and the sight fills me with dread.
    When a monkey bumps its head
    another comes to take its stead.

    ****

    Interested in knowing more about the piece? Click below the jump.

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