Category: publication

  • Some Recent Publications

    Some Recent Publications

    I spent the better part of 2024 trying and failing to get in the habit of sharing my published work more often. On top of that, there’s the ongoing concern about how anything posted to a Meta site (Facebook, Instagram, Threads) is being used to train their AI. (I’m not even considering the dumpster fire that is Xitter up for discussion.) Of course, these days putting anything on the internet runs the risk of it being scraped to train AI without our consent, but there’s only so much anyone can do at this point. I’m about to go on a further tangent about how our riches tech bros are actively enabling fascism, but that’s not the point of this post.

    Anyway, since my greatest source of creative control is through my own website that I pay for, I’m going to focus on posting my creative accomplishments here more regularly. So without further ado, here are some recent publication credits for 2025. I hope to make this a regular series (and come up with a witter title for it).

    I was featured on Haiku Poet Word Search.

    I have work in To Live Here: Haiku for the Victims of Hurricane Helene. All proceeds go to support hurricane disaster relief efforts.

    I have two haiku in the Winter 2024/2025 edition of Wales Haiku Journal

    I’m also pretty sure I’ve submitted more work in the first six weeks of the year than I did in all of 2024, so from a poetic standpoint, 2025 is off to a good start!

    I created a pamphlet called 100 St. Louis Season Words, a combination of classical and region-specific haiku to support local haiku practice. It’s also available as a printable PDF on my Buy Me a Coffee page. If you don’t own a printer (my 15-year-old laser printer just gave up the ghost) and want a copy, send me an email and I’ll get one in the mail for you!

  • 12 Haiku Resolutions for the New Year

    12 Haiku Resolutions for the New Year

    Note: This essay was originally intended to run in the January issue of the Haiku Society of America newsletter. However, it got preempted by an obituary for an HSA member. Given that this piece won’t be timely in February, I figured I might as well share it here, so it doesn’t just linger on my hard drive. (Because if I save it for 2025, I will probably forget that it exists.)

    As someone who takes on a shocking number of projects, you probably aren’t surprised that I love the reflection and goal-setting aspect of the new year. I’m also wary of absolutes like, “You should write every day.” As we go through the different seasons of life, our relationship to our poetry evolves. I wanted to start out 2024 with a list of practices you can use to support your haiku practice. Whether you’re a new practitioner, or more seasoned and looking for fresh inspiration, I hope some of these ideas resonate with you.

    1. Sign up for a time-bound daily writing challenge such as National Haiku Writing Month (https://www.nahaiwrimo.com/) or Poetry Postcard Fest (https://cascadiapoeticslab.org/poetrypostcards/). Daily writing is a fantastic discipline, and committing to a one-month period can make it seem like a more manageable task. (Note that Poetry Postcard Fest is not specific to haiku/senryu, but the postcard format is a perfect fit!)

    2. If you feel extra ambitious about daily writing, try the Buson Challenge: 10 haiku a day for 100 days. (I confess I have attempted this challenge at least four times and haven’t yet succeeded.) You can listen to Mike Rehling talk about the challenge here: 3 Michael Rehling.  

    3. Make a calendar of submission deadlines for the coming year. Most publications have their deadlines established already, and you can set up recurring deadlines easily using Google Calendar or iCal. Don’t forget to turn on email or push notifications so you always get a reminder! (I like to set notifications for both the opening date and closing date.)

    4. If you don’t have a system yet for tracking your haiku submissions, this is the year to set one up! Most of us (myself included) have accidentally submitted something that’s out for consideration elsewhere. A solid submission system helps! There are many services out there, such as Duotrope, that help you track your submissions (usually for a fee). However, you can use a spreadsheet or Word document as well. I’ve been using a color-coded Excel spreadsheet for three years, and it works great!

    5. Work with a saijiki (a compendium of kigo), picking one word a day to start as a jumping-off point. My favorite is William J. Higginson’s Haiku World: An International Poetry Almanac. However, it’s out of print and copies can be expensive. I am also a fan of Jane Reichhold’s A Dictionary of Haiku, available as a free PDF from the Haiku Foundation

    6. Commit to a revision streak. Often, we get focused on generating new work and don’t devote as much time to revision. Consider taking a few weeks off from writing new poems (unless you get struck with divine inspiration, of course!) and focus on daily revision of existing work. 

    7. Spend a chunk of time every day observing your environment: sunrise and sunset, traffic patterns (they can be seasonal!), the emergence of plants, the clothes that people wear. Start to develop your own personal saijiki related to the area where you live. 

    8. We often overlook the sense of smell in our writing. Try spending a week writing down every scent you encounter as you go about daily life. Use your scent list as a springboard for your haiku, senryu, and other forms.

    9. Join forces with a haiku friend or a small group and write some renku, rengay, or split sequences. If you don’t have a writing buddy in your area, you can write via email, online chat, text message, or Zoom.

    10. Participate in a ginkgo (haiku walk). If you don’t have a group in your area to walk with, you can have a solitary ginkgo. (Or maybe start a ginkgo group in your area!) You can learn more about ginkgo practice in the article “Haiku as a Nature Connection Practice” from seasonwords.com.

    11. Make a small chapbook as a birthday or holiday gift for a loved one, especially if you have a number of haiku/senryu written about them and experiences you have shared.

    12. Take a poetic risk this year: submit to a journal or contest that feels out of reach, self-publish a collection, give a public reading, or start a podcast. Maybe launch a print-on-demand store of postcards featuring your haiga. Whatever is calling to you but seems scary, give it a shot. 

    Which of these ideas will you try this year? Let me know! And be sure to check back in to tell me about your experience.

  • Now in Preorder: Postcards from Texas

    Now in Preorder: Postcards from Texas

    I’m thrilled to announce the forthcoming publication of my third poetry chapbook, Postcards from Texas, now available for preorder from Cuttlefish Books. This chapbook is my first that is devoted exclusively to haiku, and represents the shift in my creative focus since 2020. You can find the preorder link here: https://cuttlefishbooks.wixsite.com/home/2023-summer-book-launch.

    The haiku in Postcards from Texas were mostly written in the second half of 2021 and the first half of 2022, the last 12 months I spent living in Austin. A few are older, going as far back as 2018. They were composed on hikes and camping trips, as well as dog walks around the city and picnics in local parks. My haiku address the changing political and physical landscape of a place I lived in, and deeply loved, for 15 years.

    I’ve now lived in Missouri for just over a year. I adore the city of St. Louis, I finally found a job I could enjoy, and there are gorgeous landscapes throughout the state. The past year has also been one of grief for a place I still adore with all my heart, a place I thought I’d live until I died. Putting this chapbook together this past spring was a way to find some resolution of those emotions surrounding my move.

    Postcards from Texas contains another form of grief as well. In 2015, I reconnected with my maternal grandfather for the first time in 20 years. (The reasons for that separation are complicated, and I have become wary of making family history public.) John and I are avid hikers, and I began sending my grandfather postcards from our hikes and camping trips all over Texas. He loved seeing the places we went. Four and a half years after my grandfather came back into my life, the universe took him from me again. He didn’t die of COVID, but I believe that he was a secondary casualty of the havoc the virus created around the world. There is no way to know fore sure, but I believe that if COVID hadn’t cause so many other problems, he’d still be here. I still feel sad that we didn’t get more time, and heartbroken that COVID protocols kept me from seeing him or even attending his funeral.

    Postcards from Texas is dedicated to my maternal grandfather, as well as all the other people I lost my last few years in Texas (all but one of them died before COVID). Putting this book together was a way to continue writing postcards could no longer go to their intended recipient. It’s not just a farewell to a place I loved; it’s a reckoning of the loss that I feel should never have happened when it did.

    Not only am I excited to be publishing a book, but I’m thrilled to be in the company of Lenard D. Moore and Julie Bloss Kelsey, the other two Cuttlefish authors included in the summer catalog. While you can preorder my book individually, I encourage you to get the bundle of all three authors. Lenard D. Moore is someone I consider a contemporary haiku master, with an incredible attention to detail. Julie Bloss Kelsey presents a compelling and humorous look at adolescence and the transition into adulthood, all in the short haiku form.

    (Note: As of this writing, the preorder site is having some issues on mobile browsers. It’s easier to order from the desktop version of the site. If you are trying to order from a mobile browser and running into issues, email me or send me a DM on Instagram, and I’ll help you out.)

  • Welcome to the world, chapbook!

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    Yes! It’s true! I have a new chapbook!

    Five Oaks Press has just released We’re Smaller Than We Think We Are.

    It’s hard to believe that a year ago, I was still struggling to get a failing project into the world. I didn’t imagine this book would happen. But I was also in the midst of a second round of the Tupelo Press 30/30 Project, and something was happening. I was writing a lot of cathartic poems. About my past. About my failed marriage.

    I had spent a long time trying to get over it. Get over everything. And now it seemed I finally was.

    Not all of the 30/30 poems made it into this chapbook. Most were culled; many didn’t fit thematically. But I added a few older poems and wrote a few new ones as well. By July, I had a manuscript. And after lots of revision and lots of rejection, I found out that Five Oaks Press had named it a finalist and was offering me a contract.

    Going from manuscript to publication in less than a year feels like a miracle. I’m very lucky that things all came together. I’m in love with this book, and the relationship I have with Five Oaks.

    April might be National Poetry Month, but May is an auspicious one for me, at least with my own work.

    You can purchase the book on Amazon. Or, to order a signed copy, send $15 via PayPal to literaryaustin@gmail.com. The price includes shipping, and I’ll be happy to inscribe it however you want!

  • I Am Bad Whether…

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    I Am Bad Whether is an up-and-coming feminist press founded by poet, activist, and tech guru Muerta-Paz Con Corazon Sin-Guerra. A few months ago, Muerta decided that my collection Curved Tongue, Forked Road would be the first book she published. After several more rounds of manuscript revision, we’re getting ready to launch!

    Of course, as a start-up, the press needs help to get going. We’ve launched an Indiegogo campaign to help get things up and running. I’m excited about the perks we have to offer, everything from postcards to books to workshops! So if you want to support feminist publishing in Texas, check out the campaign.

    I’m also offering a bonus incentive for readers of this blog. If you contribute, let me know (via comment here or via email), and I will send you a bonus postcard featuring recent work. This applies to donations at any level.

    For those of you who want to help but don’t have spare cash, we appreciate you getting the word out on our behalf! Share on social media, talk it up at events, and get people interested.

    Muerta and I appreciate your support!

  • Every Ending Must Be Earned

    I love getting to collaborate with other poets, and I love the way technology facilitates collaboration over great distances. This week, I’ve been working with my friend Jason Crane (who lives in Pennsylvania) on a collaborative exercise from the first volume of Wingbeats: Exercises and Practice in Poetry.

    I don’t post my own poems all that often, but here’s our first iteration of the exercise (Jason gets credit for all the final formatting):

    ending

  • Quick update on the play promo

    Just wanted to leave a quick note about the promo sale for Hand in Unlovable Hand. The title is now available on Kobo and Google Play. The Kobo listing is currently not showing the promo price, but it should be set shortly.

    So in case you need a rundown of every place where you can get the e-book:

    Amazon
    Google Play
    Kobo
    Smashwords
    Or get it direct via Payhip:

    Remember that the $0.99 promotional price only runs through the 15th! And if you’re in town, come check out the remaining days of Frontera Fest. You won’t regret it!

  • Frontera Fest Special!

    Last month, I had a one-act play I’d written produced as part of Frontera Fest, a local theatre event. It was quite an event, and even if we don’t make Best of the Fest next week, I’ll be very happy with how things went. But that’s the subject of a longer post for later. For now, I’m happy to announce that I’ve published an e-book version of the script. (There will be a print run sometime later this month.) And for the duration of Frontera Fest, it will be available for just $0.99!

    Hand in Unlovable Hand is currently available at the following online retailers:
    Amazon
    Smashwords

    Or, you can buy direct from Payhip:

    This offer is only good until the 15th. After that, the price goes up. So get it while the getting’s good!

    (Note: This play contains mature themes and is not suitable for all readers/audiences.)

  • New Nonfiction Published

    This week, Trivia: Voices of Feminism launched its newest issue, which includes my short memoir, “The First Six Months of Survival.” The essay is about loss of fellow writer and dear friend Reesa Brown, and brings to the fold some of the most important books I read during that time.

    It’s interesting how things have changed since I finished that piece. For example, in the last section, I talk about wanting to scatter Reesa’s ashes in New Orleans, but I ended up scattering them in Prague when I was there last month. But I made the conscious decision not to change that part of the essay to note what actually happened. This piece is a reflection of where I was at a certain point in time. I’m satisfied with the way it ends; I didn’t want to change it.

    I’m also glad this piece found a home with Trivia; they’ve published my work before, and they’re one of my favorite feminist spaces online, and to share this issue with writers I admire so much.

  • Pulitzer Remix: Week 1

    I’m posting my Pulitzer Remix poems over on the project site, but here’s a roundup of the first week!

    The first five days, I created black-out poems. These pieces were all creative stretches for me; I have only created black-out pieces a handful of times. But I’m in a really busy period at work, and black-out poems are portable. I can carry pages around and work on them during breaks in my schedule. When I come home, I re-do the blackout in Photoshop.

    I notice that, for the most part, these pieces are more abstract than my usual style. This is neither intention or unintentional; it’s simply what’s happening. I might try to return to more concrete pieces as I move on with the rest of the month. Or I might not.

    What I do know is that writing in a voice that’s not my own is thrilling.

    April 1st: “Antelope Visions

    April 2nd: “Voice of Light

    April 3rd: “Caught, Choking

    April 4th: “The Night of Living

    April 5th: “Will to Live

    April 6th: “124

    April 7th: “Yesterday, Tomorrow