- The St. Louis Cardinals home opener
- The Sarah McLachlan Fumbling Towards Ecstasy 30th anniversary tour
- The Mariah Carey Christmas tour
- Hosting the SRG November Social
- Seeing Steve Earle Perform










For the past two years, I’ve collaborated with haiku friends on what I call the Midwinter Day Renku. I created this renku variation in response to one of my all-time favorite works of literature, Bernadette Mayer’s epic poem Midwinter Day.
The story behind Midwinter Day is that Mayer composed the entire thing on Friday, December 22nd, 1978, the date of the winter solstice. The title refers to the fact that many older, lunar-based calendars consider the solstice the midpoint of the season rather than the beginning, which is the designation of the astronomical calendar we use today.
Midwinter Day is a 100-ish page poem about the day in the life of a young family (Mayer, her husband, and their two children) living in Lenox, Massachusetts. Largely free verse, this poem is highly allusive, contains numerous lists, and frequently incorporates poetic devices such as rhyme. In Midwinter Day, poetry is not separate from parenthood and grocery shopping; it’s intertwined. There is no distinction between art and the rest of life; they are one and the same.
Since first reading this poem in 2015, I wanted to create some sort of homage to it. But my attempts to truly imitate Bernadette Mayer fell flat, and didn’t feel true to the way I like to approach my own poetry. Once I went deeper into studying haiku and learned about the various forms of linked verse, I began experimenting with a linked form that I wrote solo throughout the day. But while you can certainly write a renku or other linked form alone, I found I didn’t really enjoy that. I wanted to collaborate. Midwinter Day might have been written by a sole author, and yet she is anything but alone.
After a couple of years of noodling around ideas, I finally settled on a shorter version of the renku. I wrote the first one with my friend Claire, a poetry friend from my Austin days. Last year, I tried with a larger group: six people in three time zones emailing back and forth. Tomorrow, I will write the third-ever Midwinter Day renku with my friend Dan, who lives in another country. It’s the first international Midwinter Day renku! I’ve kept it just the two of us because juggling such disparate time zones is going to be a bit of a challenge, and I decided a smaller size would help navigate that.
This approach to the form is still a work in progress. Not only do I keep learning more about renku, but I keep wanting to adjust the specifics of the structure itself. I’m already thinking of adjustments I want to make for next year, but I didn’t want to make more changes at the last minute and throw off this year’s game. The parameters for 2024 and 2025 will be different, but that’s just fine. I’m excited to see how this form evolves over the next few years, and look forward to the eventual feeling that I’ve gotten it just right.
A traditional kasen renku has 36 verses, though shorter variations exist as well. My first renku was an 18-line version because my in-person group didn’t have enough time to do a full 36.
The Midwinter Day Renku has only 24 verses. Since the lore behind Midwinter Day is that it was written in the span of a single day, the 24 verses stand for each hour of the day in which it is written.
The writing process does not have to span 24 hours (unless you have a lot of energy and ambition), and each verse does not literally have to correspond to a specific hour, either. Just as Midwinter Day is not a literal accounting of hour by hour, this poem should not be a ponderous notation that happened in each block of time. Rather, the decision to use 24 verses is a nod to the time span of the original Midwinter Day epic poem.
A traditional renku incorporates all four seasons, with certain verses assigned a seasonal designation. The Midwinter Day Renku, however, focuses on one season: winter. It’s written on a winter day and influenced by a different winter poem, so invoking additional seasons didn’t feel right. I wanted the whole poem to be fully grounded in the time of year.
That being said, 2024 is only the third year I’ve tried out this form, and I’m still refining the details. I’m not opposed to potentially putting other seasons in if I get to a point where it feels like the correct choice.
Most renku verses have a designated topic, and that topic is usually a specific season. The only other topic we occasionally see is love.
For the first two years, I tried this form, I did not use any topics. Since I’m not changing the season, I just kept every verse open. However, the original Midwinter Day poem is rife with topics that could be fun to use. Not only does the poem detail the events of a young family throughout the day, but it’s rife with cultural and historical allusions, as well as details of the current events at the time it was written.
This year, I decided to try assigning one topic for each verse. While in a renku some verses have no topic, Midwinter Day is so full of potential topics that I decided to try 24 topics. Again, this is only the third year of working with this form, so that might change in 2025. Right now I’m having fun and seeing what happens with each year’s iteration.
Verse 1: Dreams
Verse 2: People you know
Verse 3: Love
Verse 4: Children
Verse 5: Cultural allusion
Verse 6: Memory
Verse 7: Food
Verse 8: Current events
Verse 9: A discovery
Verse 10: Art
Verse 11: Incorporate rhyme
Verse 12: A book title
Verse 13: A store of some kind
Verse 14: Walking
Verse 15: Friendship
Verse 16: Cooking a meal
Verse 17: Religion
Verse 18: Music
Verse 19: Philosophy
Verse 20: Reference another poet
Verse 21: A list
Verse 22: Science
Verse 23: Love
Verse 24: The sun / light
While renku were traditionally written in-person at gatherings specifically designed for writing this type of poetry, long-distance renku have been written for a long time. Poets have written them slowly via postal mail, and in the internet era, people compose them via email or messaging apps.
I think that the Midwinter Day renku is well-suited to writing at a distance. The past two years, I’ve composed via email. This year, I’ll be composing via direct message in the Station of the Metro Haiku Discord. Just as the original Midwinter Day was written throughout the day, in between childcare and errands and the other facets of life, writing long-distance via email or another system allows you to go about your various activities and allow those to drift into the poem. If a verse comes in while you’re in the middle of wrapping gifts or feeding your kids, you can finish what you’re doing before writing the next verse. The things you do throughout your day have the potential to enrich the entire writing process.
If you want to write in person and you live with people or have friends/family visiting for the holidays, consider leaving a sheet of paper out on a table and come back to it throughout the day. Let the rhythms of your life guide the writing. Let the renku composition take place in those brief moments of pause throughout the day. (But if your life has a tendency to get hectic, maybe set yourself a few phone reminders to go work on it.)
Of course, if you want to sit down and write with another person in one session, that’s totally fine as well. And you can certainly compose by yourself, either throughout the day or in one shot. My goal in devising this form was to honor the Winter Solstice through one of my favorite poetic forms.
Beyond that, the only thing I would recommend is that you create an outline of the verse, topic, and the person who will be writing it. I think that’s especially important when you’re writing long-distance. Although this form is shorter than a standard renku, it’s still possible to get confused or lose your place. Having an outline and plan will help.
I posted the first-ever Midwinter Day Renku as a Haiku Girl Summer bonus post. If you would like to read what I first wrote with my friend Claire, you can view it here: https://haikugirlsummer.substack.com/p/midwinter-interlude-the-hidden-sun
Not only was this the first attempt at the form, but I also knew less about renku than I do now. So I hope that those of you who know the form well can overlook the stylistic issues of this novice attempt.
Wassailing Within
A Midwinter Day Renku written by Allyson Whipple (St. Louis, MO), Peter H. Schmidt (Lexington, MA), Eavonka Ettinger (Long Beach, CA), and Claire Vogel Camargo (Austin, TX)
Thursday, December 21st, 2023
iceless river
one prolonged blast
of a salvage barge (AW)
sideways sleet
maple javelins spear the earth (PHS)
the yearly
arrival of homemade
family stollen (EE)
how the time feels shorter
between holidays (CVC)
smell of snow due soon
silent slate blue clouds hover
soothe my solo heart (PHS
picking oranges from
the roadside farm stand (EE)
bare tree branches
reveal empty nests waiting
signals of green sprigs (CVC)
finding the long way
back to the office (AW)
wild parrots
flying against
el nino rains (EE)
the soup he makes
for me this cold day (CVC)
spotted tabby tum
smiling cat face sleeping
sun patch on blanket (PHS)
one last cigarette
at nightfall (AW)
moon frost
the chill in her words
after the smile (CVC)
crunching bubbles
fists deep in my pockets (PHS)
city walk
another fruitless
search for stars (AW)
lightning flashes
on the darkest night (EE)
dream waked
slip from bed unnoticed
drink in Christmas tree glow (PHS)
another cup of tea
to warm me from the inside (AW)
all the gifts
yet to be wrapped
or bought (EE)
the two weeks it takes
to heal from surgery (CVC)
one year in
a stack of moving boxes
still unpacked (AW)
glitter spangled envelopes
piled on the kitchen counter (PHS)
magnolia trees
rethinking landscapes and scents
to wake to (CVC)
wassailing within
as sirens wail outside (EE)






Although it was difficult for me to narrow down the best of all 100 Earl Grey blends I’ve tasted in 2024, I did want to highlight my favorites. My initial long list had 20 teas on it; I narrowed it down to 15 for the final best-of list. I tried to take it down to 10, which is why this post took so long to write. It was tough to cut five teas out of the initial list, and the more I thought it over, I couldn’t cut five more. All 15 blends on this list are memorable, and represent the qualities I value most in an Earl Grey.
There are certainly some more famous blends or companies that got left off the list. That is not to say they weren’t excellent. So much of tea tasting is subjective. These are both high-quality tea blends and they’re the ones that resonated most strongly with my personal palate.
This list is organized by each category. Some of the companies appeared multiple times in the same category, but I decided to cut that down to once per category in order to ensure other great teas were noticed. When a company appeared twice, I simply had to choose which blend I felt best represented the talents of the tea blender.
Each of these best-of entries includes an excerpt from the original review, a link to the full review, and a link to purchase the tea if you’re interested. These are not sponsored links.
(And yes, I am still working on doing a giveaway, but honestly, I probably won’t get it together until after Christmas. The last quarter of the year has thrown some unexpected challenges my way.)
The Eastside Earl Grey uses real Italian bergamot, and I think both the real and the Italian make a difference. I understand why some tea companies make the decision to use artificial bergamot. But the way mashed potatoes from scratch are more satisfying than mashed potatoes from a box, real bergamot makes a better impression than artificial. Sure, there is a time and place for boxed mashed potatoes; in fact, they might scratch a sentimental itch. And there is a time and place to use artificial bergamot. But tasting an Earl Grey that uses a real bergamot was a game–changer.
Full review appears in Part 1.
Buy the tea here: Purchase Link
Although the name might suggest otherwise, this blend from Artful Tea is a straight-up classic. The tea base is a blend of Ceylon and Yunnan teas, and the Français in the name refers to the French bergamot that is used for flavoring.
This is an absolutely beautiful blend, and is my favorite of the teas I tried for this post. I think there’s something about French bergamot that really resonates with my palate, because I tried this tea on January 26th (over a month before I was able to write this post), and I am still thinking about what an excellent tea it is. This blend uses Yunnan tea as the base, and something about that particular tea with the right amount of French bergamot is magical.
Full review appears in Part 3
Buy the tea here: Purchase Link
The dry leaves of this blend smell incredible, with a hearty dose of bergamot at the top of the aroma. When I steeped the tea, I made sure it was covered. Lifting the lid off of my infuser mug, the scent of bergamot wafted up immediately to greet me.
When drinking this tea, the bergamot unsurprisingly hits first. The tea flavor then follows in short order. And the taste progression is absolutely perfect. I think the Assam tea they used was just right to complement the bergamot. Assam brings just a touch of sweetness that I think complements the other flavors well.
Full review appears in Part 18
Buy the tea here: Purchase Link
Blenders at The Cove Tea Company combine black tea, peppermint, spearmint, bergamot oil, and French vanilla extract to create a rich and complex tea. It is smooth, sippable, and is definitely the kind of thing you could drink all day.
When I taste this tea, the vanilla hits my palate first, then the mint, then bergamot, then black tea. There’s a great deal of depth, and these strong flavors are combined in a way that allows them to harmonize rather than dominate each other.
Full review appears in Part 7
Buy the tea here: Purchase Link
The steeped liquor has a medium body, and when I smell it, I get the scent of tea first, followed by citrus. That order was consistent when tasting the tea as well. I think the inclusion of orange blossom was what made this taste extra-refreshing. It’s perfect for spring and summer, and like the Earl Grey Intense, this would be lovely as a cold-brew iced tea. I also don’t think it requires any sweetener, though if you like your tea sweet, I think honey would complement the orange blossom oil quite well.
When I finished my sample of the Anastasia blend, I immediately wished that I had more. This is the kind of tea that I could definitely drink all day long. It’s extremely sippable, with mellow black tea and bright citrus. This one is going on my best-of list, and definitely will have a regular place in my tea cabinet.
Full review appears in Part 11
Buy the tea here: Purchase Link
The dry aroma is vanilla-forward, and the raspberry leaf is strong as well, followed by bergamot and lavender. I struggled to detect the scent of tea. This is a medium-body tea, and the steeped aroma has the progression of lavender, vanilla, bergamot, raspberry, and tea. The flavor, meanwhile, is lavender-forward, followed by raspberry, bergamot, vanilla, and tea.
Given the sheer number of additions to this blend, plus the fact that I don’t love raspberry leaf, I did not expect to enjoy this tea. However, it wound up earning a place on my best-of long list. I realized that the raspberry leaf tempers the vanilla and lavender, which can both get overwhelming. All of the ingredients are perfectly balanced and work together rather than fighting. What this blend teaches me is that a disliked ingredient doesn’t have to be a dealbreaker when used in the right context.
Full review appears in Part 19
Buy the tea here: Purchase Link
While the aesthetics of the dry leaf aren’t everything, the addition of cornflower petals alongside the lavender creates a blend that is gorgeous to look at both before and after steeping.
While the lavender is the star of the show, it manages to shine without overwhelming the bergamot. I think that the addition of the cornflower petals helps balance things out. While cornflowers are often considered to have a neutral flavor, I know many people (myself included) detect a faint sweetness from them. I’m not a supertaster, but whenever I taste cornflower in a blend, it brings with it a sort of light, creamy sweetness.
Full review appears in Part 2
Buy the tea here: Purchase Link
The Provence blend from The Cove Tea Company contains black tea, bergamot, and French lavender. I was impressed with the balance of lavender to bergamot. I get a well-rounded cup of black tea, lavender, and bergamot flavors.
My major takeaway with this blend is that the folks at The Cove Tea Company have a good sense of the different levels and types of astringency in each component of this tea. This is an excellent blend that I would add to my regular tea rotation.
Full review appears in Part 6
Buy the tea here: Purchase Link
The Vintage Earl Grey blend includes Sri Lankan tea (from the Kenilworth Estate), plus French lavender and Italian rose petals to complement the bergamot. It’s truly an international blend! The dry aroma is, as you might imagine, potent! I noticed the rose first, followed by lavender, bergamot, and tea. One of the things that puts me off from rose-infused teas is that I associate rose petals with potpourri, but there’s no risk of that here.
The steeped liquor has a medium body, and when I smell the infused aroma, everything is well-balanced. That melding comes across when I sip the tea, as well. The lavender and the rose complement each other perfectly. They come across in equal measure, bolstered by the bergamot and the black tea. The recommended three-minute steep time was perfect, so I recommend you follow the directions for this one!
Full review appears in Part 18
Buy the tea here: Purchase Link (Currently available only in Canada)
The steeped tea has a medium body. When I smell the finished brew, I get cream, tea, and then bergamot in that order. The tasting experience mirrors the scent, with the three flavors emerging as a progression. You start with the savoriness of the cream flavor, then the bitterness of the tea, followed by the brightness of the bergamot. It’s well-balanced and exceptionally crafted.
This blend really tastes as though cream has been added to the tea, even though there’s none here. If you normally prefer to add dairy to your black tea, I recommend you try this one without at first; I think added dairy could overwhelm the delightful flavors of the tea.
Full review appears in Part 12
Buy the tea here: Purchase Link
This blend incorporates a combination of Sri Lankan and Assam teas along with natural bergamot and vanilla. The tea leaves are accented by jasmine blossoms and cornflowers, creating a dry cup that looks as good as the steeped liquor tastes. The body is rich yet light. The level of cream flavor in this blend is perfect. When I taste the tea, I pick up traces of marshmallow. To be clear, that is a compliment. I love marshmallow flavor, and the interaction of vanilla and cornflower produces that effect. Don’t worry, the bergamot is still there even with the creaminess.
Full review appears in Part 12
Buy the tea here: Purchase Link (Currently available only in Canada)
This blend contains green tea and specifies that it uses Italian bergamot. It’s a truly straightforward, no-fuss variation on this classic tea. In terms of resteeping the tea, the bergamot is still present on a second infusion, but considerably weaker, but still quite enjoyable. The bergamot doesn’t really survive a third infusion, but you’re still getting a nice cup of green with a whisper of citrus. This is a lovely blend perfect for the onset of spring.
Full review appears in Part 4
Buy the tea here: Purchase Link
Tea Market’s Earl Green blend contains Pouchong green tea from Taiwan; the leaves are big, bright, and gorgeous. Combined with triple bergamot, the dry scent is citrus-forward, but the floral tea aroma is still there. That scent profile repeats with the steeped liquor.
Given how light the bergamot was on the first tasting, I assumed it would be entirely absent on a second infusion. Still, I always like to do at least one additional steeping round, so I gave it a try. I was surprised to find that this tea actually had a stronger bergamot flavor on the second infusion! Yes, it was better the second time around. So if this tea doesn’t suit your palate the first time around, give it another infusion. This is a complex tea that definitely unfolds on subsequent steepings!
Full review appears in Part 17
Buy the tea here: Purchase Link
The dry cup is visually stunning, with a mix of purple, blue, and white cornflower petals. The aroma of the green tea base has a lovely complexity, both sweet and floral. The steeped aroma is bergamot-forward, and the sweeter aspect of the tea comes through as well. The taste of the tea is incredibly refreshing. This tea lives up to its name, with the bright flavor of the bergamot shining through. The green tea is still there, and it works well with the citrus. If you generally avoid green tea due to grassiness or bitterness, you should give this blend a try, because the bergamot mitigates those flavors.
Full review appears in Part 24
Buy the tea here: Purchase Link (Currently available only in Canada)
The blenders at Artful Tea understand how to balance out bergamot oil with the rooibos to ensure a pleasurable drinking experience. What’s especially impressive is that they make this work while sticking to the basics. The blend consists only of rooibos and bergamot oil. There is no extra citrus, no flowers, no other herbs to balance things out. When you stick to just the two ingredients, they have to be just right. There’s no room to hide, and the team at Artful Tea pulls this off masterfully. A common refrain on internet memes is, “10/10, no notes,” and really, I can’t think of a better way to describe this tisane.
Full review appears in Part 4
Buy the tea here: Purchase Link
On my birthday this year, I started what would become my first successful completion of the Buson Challenge, in which you write 10 haiku a day for 100 days. You can read more about my 2024 experience here: Buson Challenge Blog Post.
I didn’t create the Buson Challenge; I learned about it in a talk from Failed Haiku founder Mike Rehling in his 2020 presentation at the online Haiku Society of America annual conference. You can watch the clip here: https://www.youtube.com/embed/ozWETA0PeQI?si=T6hpIGni8rfPMl_R&t=939
I’m planning to start 2025 with another round of the Buson Challenge. The biggest thing that helped me was having a group to work with. Our regular check-ins made me want to push through on the tough writing days; I didn’t want to have to come back to the group and say I didn’t get my writing done. We didn’t check in every day; we came and went as necessary.
While I connected with fellow Buson Challengers through the Station of the Metro Discord, you don’t need to join that to participate. There are lots of communication channels in the world, and I use most of them. So if you want to take the challenge with me starting January 1st, 2025, just shoot me a message. I’d be happy to have you write along with us.
(And since I’m a fan of prizes . . . I have stickers available when you finish!)


Greetings from rural Illinois! I’m out here enjoying winter break, organizing poetry files, and writing haibun. Next week, I’ll be back to the warm weather, kicking off 2016 with a road trip through Mexico.
I’ve been too busy to blog this semester. I’ve even neglected my poor email newsletter. But I thought I’d pop in for a little year in review.
2015 wasn’t without difficulty, but it was much better than 2014. I’ve had numerous friends tell me your 30s are your best decade, and this year, that’s proved to be true.
This year, I successfully co-edited the 2016 Texas Poetry Calendar with Wade Martin, and helped host readings for the calendar around Texas. (I also had my license plate stolen at the reading in Houston, which was not fun.) I’m grateful I had the opportunity to be a part of Dos Gatos press and help continue the tradition of this great publication. Wade and I are already reading for 2017 (the deadline is January 15th!) so send along your poems!

I also got to be a featured reader at the Austin International Poetry Festival, and met Nikki Giovanni on my birthday! 31 goes down in the record books as the best birthday ever.
I was fortunate enough to get more teaching work at ACC, allowing me to make education the focus of my career.
I got to attend a friend’s book launch in Chicago. I finished a new chapbook manuscript. I got to teach more poetry workshops.
Last but not least, I began an MFA program this fall. The first semester is over and done, and I’m so happy to be there. I’m looking forward to school starting again soon!
May the last day of 2015 be a happy one. Here’s to 2016!

Okay, my New Year’s plans are a little livelier than that. But if you’re poetry-minded and want to spend New Year’s Eve being creative, you are invited to join the New Year’s Poetry Party.
New Year’s Poetry Party
What: A night to write the last poems of 2014 and start the New Year on a creative high note.
Where: My home. Please RSVP to literaryaustin@gmail.com for address.
Bring:
Note 1: I have a very social dog named Simon. He has short fur, doesn’t shed much, and loves to sit in people’s laps.
Note 2: Please RSVP by noon on December 29th so I have enough time to do all the prep I need. Please also let me know if you’ll be there for the whole evening or just part of it, so I can plan accordingly. (You only need to RSVP if you’ll be attending.)
9:00-10:30 p.m.
Workshop: Making Myth New
Mythologies provide enduring sources of inspiration for poets. This workshop will start by looking at mythological archetypes across different cultures, as well as reading a selection of mythological poems. We’ll focus on the ways in which myths are continuously made new and the way the stories behind them transcend time. Finally, we’ll have time to write, using myth to explore either current events, or the mythic capacities within our own stories and lives.
10:30-11:30 p.m.
Collaborative Writing
Let’s end the year by working together!
Exact structure and prompt will depend on how many RSVPs I get.
11:30-Midnight
Socializing and Reading
Share your workshop pieces, your favorite poems you wrote in 2014, and your favorite poems you read in 2014.
Midnight: Toasting!
The usual festivities!
12:01 until We’re Too Tired
Writing the first poems of the New Year.
Sharing our work and the work of others.
Life has been a whirlwind lately. There are blog posts I’ve wanted to write, but haven’t made time. However, I have some announcements that I want to dash off before turning in for the night.
1. Registration for the Submission Mission 2014 workshop is now open! For details and a link to the registration form, check out the Workshops page.
2. After over a year of revision, I’m ready to start sending out my next manuscript! I finished the first draft of Curved Tongue, Forked Road a few days after Thanksgiving in 2012. After three beta readers, lots of cuts and additions, and hours spent arranging poems, I have a manuscript I’m excited to share.
3. I’m not on the planning committee of Flor de Nopal, but I believe it’s the best literary festival that Austin has to offer. This year, they’re underfunded. If your bank account has room to spare, please consider making a donation. It’s tax deductible, and filing season is just around the corner!
4. This weekend I’m reading at the Dos Gatos Press Texas Poetry Calendar reading, held at BookPeople on Saturday the 7th. The reading starts at 4. I’m also reading at the Austin Writergrrls Book Festival, held at BookWoman on Sunday the 8th, also starting at 4. Both events are free and open to the public.
I think that wraps it up for now. Hopefully I’ll have time for longer updates in the new year!
While I’ve blogged my reading lists pretty extensively, I haven’t listed all of the things I’ve loved this year. So here’s a rundown of great music, websites, and tech stuff I discovered. Note that not all of it was brand new this year, but it was new to me.

Buffy the Vampire Slayer, seasons 2-5 and season 7
Jon and I watched through all of Buffy this year; neither of us had seen it. Well, I watched through almost all of Buffy. Jon started it first, but knew I was going to absolutely hate season 1. I joined partway through season 2 and thoroughly enjoyed myself. Though I nearly quit during the television tragedy that was season 6, I’m glad I stuck through until the end.

I liked this right off the bat, even more than I did Buffy. While the final season definitley had its hiccups, the final episode made me cry, and it’s rare for television to do that.

This season was intense. I don’t want to say too much, for fear of giving spoilers away. But wow, what a well-crafted season. This had some of my favorite episodes of the series, including one that made me cry (apparently, television made me tear up this year). While the season finale was a little lackluster compared to other finales on this show, I can’t wait for next season.

Best.show.on.television. Ever. Brilliant structure and pacing, not just at the episode level, not just at the season level, but across the entire series. I’m glad the world didn’t end on December 21st, because I would have been bummed if the apocalypse had happened and I didn’t get to see how the series wrapped up.

Jon and I just discovered this show on Netflix. It clearly didn’t do that well on broadcast, but we think it’s hilarious.

The Master (2012)
I live under a rock. I didn’t know this film was coming out. But one day, I had the afternoon off from work and nothing to do. I had some free passes to a movie theater. The Master was starting in 20 minutes, and I figured anything with Joaquin Phoenix and Philip Seymour Hoffman had to be good. But that’s all I knew — the leading actors and the starting time. I went into this film completely unprepared. I left feeling unsettled, but in a good way. Definitely a film worth seeing.

Cabin in the Woods (2011)
I still get giddy when I think about this film. I love horror movies. I love meta anything. This was the best of both worlds.
Keith Montesano talks to poets about their experience writing, revising, submitting, and publishing their first collections. I learn something new with every one.
It’s nice to know I’m not the only one whose dogs do crazy things.

Transcendental Youth by the Mountain Goats (2012).
Transcendental Youth is full of songs about people who madly, stupidly, blessedly won’t stop surviving, no matter who gives up on them.
I can report that it is a very good album and has many more instruments on it than his early cassette tapes, including Peter Hughes on bass, Jon Wurster on drums, and, for the first time, a full horn section. And all of this makes a very joyous noise. (John Hodgman)

I and Love and You by The Avett Brothers (2009).
Jon discovered this during his music-discovery project, and knew I would love it. He knows my taste well. The themes in this album are the ones I often cover in my poems: travel, searching, and love. This is a truly ambitious piece of work.

CamScanner app (available for Android and iPhone).
I rarely pay for apps at full price; I usually wait until Google Play has a sale. But I shelled out $5 for the full version of CamScanner, and four months later, I’ve already gotten my money’s worth. Cheaper than a scanner, way more cost-effective than sending a fax from a public machine, and it works great. Highly recommended.